A remarkably small, portable hardware control panel with 3 high resolution weighted trackballs, 12 control knobs for essential tools, 18 dedicated navigation and transport keys and more!
The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve's full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.
DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more!
Grading Live On Set
Now post production can begin during production! Cinematographers and colorists on set can use Resolve Live to grade real time video direct from the camera. You get the full creative power of primaries, secondaries, power windows and more! Resolve Live can help you confirm lighting and camera angles on set and lets you save looks that can be applied to you camera RAW files during grading. That means you save time in production and in post because you can see exactly how your shots are going to look when finished!
Feature Film and Post Production
When you have the world's most demanding clients you need to be able to work quickly and handle any challenge they present you with! Only DaVinci Resolve has the image quality, scalable power, performance and incredible award winning control panel that can keep up with you when clients are in the room working with you. DaVinci Resolve handles more native camera files and video formats than any other real time system, that means you can edit and grade virtually any type of footage in real time! That's why DaVinci Resolve has been used on more high end feature films, television commercials, music videos and episodic productions than any other system!
Collaborative Editing and Grading
Now you can have an editor and multiple colorists working on the same timeline simultaneously! DaVinci Resolve lets an editor and multiple colorists on different workstations share the same timeline and work in tandem as they complete shots. A colorist could be pulling a key or tracking windows while another colorist fine tunes grades that are immediately updated as the editor edits. The DaVinci Resolve collaborative workflow lets your creative team break down a large job into parts they can each work on separately!
Editing and Grading for Photographers
If you're a photographer turned cinematographer shooting video with your DSLR or a Blackmagic Cinema Camera, DaVinci Resolve has new RAW image and color grading controls that are familiar to photographers. Now you can adjust images quickly and precisely or even use a color chart to automatically balance your footage! You get the highest possible quality editing and grading because you're working from your camera original files without conversion!
Remote Grading
The unique remote grading features of DaVinci Resolve mean that clients can choose their favorite colorist for the job, no matter where they are in the world! Using a regular internet connection, a colorist on one side of the world can remotely control and grade on another system containing the same media. With remote grading, a colorist in London or LA can collaborate and show his work to a Director in New York, Tokyo or anywhere else at full quality, all in real time!
Multi Camera Productions
The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve's full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.
DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more!
Grading Live On Set
Now post production can begin during production! Cinematographers and colorists on set can use Resolve Live to grade real time video direct from the camera. You get the full creative power of primaries, secondaries, power windows and more! Resolve Live can help you confirm lighting and camera angles on set and lets you save looks that can be applied to you camera RAW files during grading. That means you save time in production and in post because you can see exactly how your shots are going to look when finished!
Feature Film and Post Production
When you have the world's most demanding clients you need to be able to work quickly and handle any challenge they present you with! Only DaVinci Resolve has the image quality, scalable power, performance and incredible award winning control panel that can keep up with you when clients are in the room working with you. DaVinci Resolve handles more native camera files and video formats than any other real time system, that means you can edit and grade virtually any type of footage in real time! That's why DaVinci Resolve has been used on more high end feature films, television commercials, music videos and episodic productions than any other system!
Collaborative Editing and Grading
Now you can have an editor and multiple colorists working on the same timeline simultaneously! DaVinci Resolve lets an editor and multiple colorists on different workstations share the same timeline and work in tandem as they complete shots. A colorist could be pulling a key or tracking windows while another colorist fine tunes grades that are immediately updated as the editor edits. The DaVinci Resolve collaborative workflow lets your creative team break down a large job into parts they can each work on separately!
Editing and Grading for Photographers
If you're a photographer turned cinematographer shooting video with your DSLR or a Blackmagic Cinema Camera, DaVinci Resolve has new RAW image and color grading controls that are familiar to photographers. Now you can adjust images quickly and precisely or even use a color chart to automatically balance your footage! You get the highest possible quality editing and grading because you're working from your camera original files without conversion!
Remote Grading
The unique remote grading features of DaVinci Resolve mean that clients can choose their favorite colorist for the job, no matter where they are in the world! Using a regular internet connection, a colorist on one side of the world can remotely control and grade on another system containing the same media. With remote grading, a colorist in London or LA can collaborate and show his work to a Director in New York, Tokyo or anywhere else at full quality, all in real time!
Multi Camera Productions
Davinci Resolve Mac 10.10.5
A remarkably small, portable hardware control panel with 3 high resolution weighted trackballs, 12 control knobs for essential tools, 18 dedicated navigation and transport keys and more!
The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve's full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.
DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more!
Grading Live On Set
Now post production can begin during production! Cinematographers and colorists on set can use Resolve Live to grade real time video direct from the camera. You get the full creative power of primaries, secondaries, power windows and more! Resolve Live can help you confirm lighting and camera angles on set and lets you save looks that can be applied to you camera RAW files during grading. That means you save time in production and in post because you can see exactly how your shots are going to look when finished!
Feature Film and Post Production
When you have the world's most demanding clients you need to be able to work quickly and handle any challenge they present you with! Only DaVinci Resolve has the image quality, scalable power, performance and incredible award winning control panel that can keep up with you when clients are in the room working with you. DaVinci Resolve handles more native camera files and video formats than any other real time system, that means you can edit and grade virtually any type of footage in real time! That's why DaVinci Resolve has been used on more high end feature films, television commercials, music videos and episodic productions than any other system!
Collaborative Editing and Grading
Now you can have an editor and multiple colorists working on the same timeline simultaneously! DaVinci Resolve lets an editor and multiple colorists on different workstations share the same timeline and work in tandem as they complete shots. A colorist could be pulling a key or tracking windows while another colorist fine tunes grades that are immediately updated as the editor edits. The DaVinci Resolve collaborative workflow lets your creative team break down a large job into parts they can each work on separately!
Editing and Grading for Photographers
If you're a photographer turned cinematographer shooting video with your DSLR or a Blackmagic Cinema Camera, DaVinci Resolve has new RAW image and color grading controls that are familiar to photographers. Now you can adjust images quickly and precisely or even use a color chart to automatically balance your footage! You get the highest possible quality editing and grading because you're working from your camera original files without conversion!
Remote Grading
The unique remote grading features of DaVinci Resolve mean that clients can choose their favorite colorist for the job, no matter where they are in the world! Using a regular internet connection, a colorist on one side of the world can remotely control and grade on another system containing the same media. With remote grading, a colorist in London or LA can collaborate and show his work to a Director in New York, Tokyo or anywhere else at full quality, all in real time!
Multi Camera Productions
The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve's full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.
DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more!
Grading Live On Set
Now post production can begin during production! Cinematographers and colorists on set can use Resolve Live to grade real time video direct from the camera. You get the full creative power of primaries, secondaries, power windows and more! Resolve Live can help you confirm lighting and camera angles on set and lets you save looks that can be applied to you camera RAW files during grading. That means you save time in production and in post because you can see exactly how your shots are going to look when finished!
Feature Film and Post Production
When you have the world's most demanding clients you need to be able to work quickly and handle any challenge they present you with! Only DaVinci Resolve has the image quality, scalable power, performance and incredible award winning control panel that can keep up with you when clients are in the room working with you. DaVinci Resolve handles more native camera files and video formats than any other real time system, that means you can edit and grade virtually any type of footage in real time! That's why DaVinci Resolve has been used on more high end feature films, television commercials, music videos and episodic productions than any other system!
Collaborative Editing and Grading
Now you can have an editor and multiple colorists working on the same timeline simultaneously! DaVinci Resolve lets an editor and multiple colorists on different workstations share the same timeline and work in tandem as they complete shots. A colorist could be pulling a key or tracking windows while another colorist fine tunes grades that are immediately updated as the editor edits. The DaVinci Resolve collaborative workflow lets your creative team break down a large job into parts they can each work on separately!
Editing and Grading for Photographers
If you're a photographer turned cinematographer shooting video with your DSLR or a Blackmagic Cinema Camera, DaVinci Resolve has new RAW image and color grading controls that are familiar to photographers. Now you can adjust images quickly and precisely or even use a color chart to automatically balance your footage! You get the highest possible quality editing and grading because you're working from your camera original files without conversion!
Remote Grading
The unique remote grading features of DaVinci Resolve mean that clients can choose their favorite colorist for the job, no matter where they are in the world! Using a regular internet connection, a colorist on one side of the world can remotely control and grade on another system containing the same media. With remote grading, a colorist in London or LA can collaborate and show his work to a Director in New York, Tokyo or anywhere else at full quality, all in real time!
Multi Camera Productions
Davinci Resolve Mac 10.10.5
Davinci Resolve 10.10.5 Yosemite Ave.
DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. Blackmagic Design Desktop 10.4.1. MacOS/OS X: 10.10.5 Yosemite or later. Windows: 8.1 Pro 64-bit or later. Linux: CentOS 6.4, Red Hat Enterprise 6.8 and 7.3. RAM: 8 GB min, 16 GB recommended (16/32 GB Linux) Material of Construction. Die-cast and machined aluminum. DaVinci Resolve 12. MacOS/OS X: 10.10.5 Yosemite or Later. Gmail download mac. Windows: 8.1 Pro 64-Bit or Later. Linux: CentOS 6.4, Red Hat Enterprise 6.8 and 7.3. RAM: 8 GB Min, 16 GB Recommended (16/32 GB Linux) Material of Construction. Not Specified by Manufacturer. Assembled: 48.75 x 18.5 x 7.69. DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or Later Blackmagic Design Desktop 10.4.1 سیستم عامل: به شرح ذیل: ویندوز: ویندوز 8.1 مک: macOS/OS X: 10.10.5 Yosemite or Later لینوکس: CentOS 6.4, Red Hat Enterprise 6.8 and 7.3 درگاه اتصال: درگاه USB نوع C و Ethernet جنس بدنه.
